Film & documentary publicity

I work with films and documentaries at every stage — from early strategy through festivals, theatrical or digital release, and the long tail beyond opening week. The aim is simple: make the right people care, then give them a reason to talk about it.

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You work directly with me, not a junior account manager.

What’s included

  • Festival and release strategy, including campaign timing and target-audience planning
  • Press screenings, critic outreach, interviews and review-quote strategy
  • Press notes, synopsis, EPKs, trailers, artwork, film clips and approved stills
  • Brand partnerships, promotional opportunities, premieres and audience-facing events
  • Cast, director and producer media coordination
  • Campaign messaging across theatrical, home entertainment and digital releases

When to bring me in

As early as you can. Positioning, timing and materials shape everything that follows, so I bring the strategic thinking in early, ideally before a festival submission or release date is fixed. If you are already selected or dated, I will focus on the press, screenings and moments that matter most.

How I work

I bring the strategic thinking early, then stay close to the details.

The positioning, trailer and artwork conversation, the press materials, the critics, the right partners, the screenings, the talent, the premiere and the audience response. The best campaigns are built around the individual project, not copied from the last one.

Over the years, I’ve built relationships across critics, editors, photographers, festivals, talent teams, distributors and industry partners in North America and internationally.

  1. 01

    First conversation

    We talk through the project, the story, who needs to hear it and what is at stake for you.

  2. 02

    Strategy & positioning

    Festival or release route, campaign timing and target audience, plus the positioning, trailer and artwork conversation.

  3. 03

    Materials

    Press notes, synopsis, EPK, clips and approved stills, ready before the press needs them.

  4. 04

    Campaign

    Critics, press screenings, interviews, talent, partners and the premiere.

  5. 05

    The long tail

    Audience response, review quotes and digital support that keep the story moving beyond opening week.

Films I have publicised

All work

In the press

Reviews and announcements for the films above.

Questions

All questions

As early as you can. I bring the strategic thinking early, because positioning, the trailer and artwork conversation and the press materials shape what happens at the festival or on release. I work with films at every stage, from early strategy through festivals, theatrical or digital release, and the long tail beyond opening week.

Press notes, a synopsis, an EPK, a trailer, artwork, film clips and approved stills. If some of these are missing or not quite right, a distribution-readiness review is a good place to start.

Yes. Independent filmmakers often need straight answers before they need a bigger campaign. I offer practical, bespoke consulting to help shape the route to market, prepare the right materials and make informed decisions about how a film can be seen.

Not necessarily. High-profile results are possible without an unlimited budget when the story is strong and the plan is smart. Every campaign is built around the individual project, so tell me what you are working with.

Other services

Working on something similar?

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